Psychological Study of the ArtsPsychological Study of the Arts
design graphic design graphic design graphic design graphic design graphic design graphic design graphic
design graphic Textual Collections home design graphic   Searchdesign graphic design graphic Help View bookbag
design graphic design graphic design graphic design graphic design graphic design graphic

PSYCHOANALYSIS AND SHAKESPEARE
PSYCHOANALYSIS  AND  SHAKESPEARE
PSYCHOANALYSIS  AND  SHAKESPEARE
[2 ]  Freud on the Artist
[3 ]  Freud on the Work
[4 ]  Freud on the Response
[5 ]  And Beside Freud
[Part II ]  THE  PSYCHOANALYTIC  VIEW OF  SHAKESPEARE
[Part II ]  THE  PSYCHOANALYTIC  VIEW OF  SHAKESPEARE
A Note on Scope
[7 ]  Psychoanalysis and the Man
THE SONNETS AND HOMOSEXUALITY
ATTITUDES TOWARD THE FATHER AS SHOWN IN HAMLET
ATTITUDE TOWARD THE FATHER AS SHOWN IN PLAYS OTHER THAN HAMLET
CORIOLANUS AND SHAKESPEARE'S MOTHER
ATTITUDES TOWARD SIBLINGS
SHAKESPEARE IN A VARIETY OF SINGLE PLAYS
SHAKESPEARE IN SEVERAL WORKS
SHAKESPEARE IN ALL THE PLAYS
SHAKESPEARE IN DICTION  AND IMAGERY
EVALUATING STUDIES OF AN AUTHOR'S PERSONALITY
TWO SPECULATIONS
SHAKESPEARE THE MAN: SOME CONCLUSIONS
[8 ]  Psychoanalysis and the Artist
[9 ]  Psychoanalysis and the Works
ALL'S WELL THAT ENDS WELL
ANTONY AND CLEOPATRA
AS YOU LIKE IT
THE COMEDY OF ERRORS
CORIOLANUS
CYMBELINE
HAMLET
HENRY IV, PARTS I AND II (AND FALSTAFF)
HENRY V
HENRY VI, PARTS I, II AND III
HENRY VIII
JULIUS CAESAR
KING LEAR
MACBETH
MEASURE FOR MEASURE
THE MERCHANT OF VENICE
THE MERRY WIVES OF WINDSOR
A MIDSUMMER NIGHT'S DREAM
MUCH ADO ABOUT NOTHING
OTHELLO
PERICLES
RICHARD II
RICHARD III
ROMEO AND JULIET
THE SONNETS
THE TAMING OF THE SHREW
THE TEMPEST
TIMON OF ATHENS
TITUS ANDRONICUS
TROILUS AND CRESSIDA
TWELFTH NIGHT
VENUS AND ADONIS
THE WINTER'S TALE
[Part III ]  CONCLUSIONS:  PSYCHOANALYSIS,  SHAKESPEARE,  AND THE  CRITICAL MIND
[Part III ]  CONCLUSIONS:  PSYCHOANALYSIS,  SHAKESPEARE,  AND THE  CRITICAL MIND
READING TOWARD THE AUTHOR'S MIND
READING TOWARD A CHARACTER'S MIND
THE CRITICS' REJECTION OF “CHARACTER”
JUSTIFICATIONS OF “CHARACTER”
DEGREES OF ERROR ABOUT “CHARACTER”
THE THIRD “WAY” OF PSYCHOANALYTIC CRITICISM
READING TOWARD THE AUDIENCE'S MIND
THE THIRD “WAY” WITH SHAKESPEARE
[11 ]  Conclusions  Not So Logical
THE CRITIC'S TWO ROLES
THE LITERARY CONTINUUM
THE ROLE OF PSYCHOANALYTIC CRITICISM
THE PSYCHOLOGICAL CONTINUUM
SIX SHAKESPEAREAN INSTANCES
SOME HYPOTHESES
FIVE FURTHER INSTANCES
AIMS FOR PSYCHOANALYTIC CRITICISM
Notes
Notes
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
Section
SUPPLEMENTARY NOTES
Subject Index
Author Index
ABOUT THE AUTHOR
Search within this text: Basic search, Advanced search or Proximity search
 

Textual Collections
A State University System of Florida PALMM Project

Please send questions and comments to:
PALMM Mail

(c) Copyright 2003, State University System of Florida.

PALMM Homepage